Bunnylump wrote:Here's a perfect example. I think this is ABSOLUTELY beautiful, whereas others may thing "WTF?" And I would never criticise them for thinking that, because everyone (including me) is entitled to their own viewpoint and outlook on life, and art!!
That's interesting in the 'art' debate because I don't personally see 'film making' in the same category as the other art we're talking about. Obviously there is an art to this in the same way as (I think) there is an art to designing a good looking and functional spreadsheet - but that doesn't relate to The Art World as I think of it. [OK - so I'm probably old fashioned].
The clip you showed I HAVE stood and watched for real. Friday afternoon in the front street there was a sheet of foam packing material doing the most amazing loops and swoops. Just like that clip it showed the shape and interplay of the otherwise invisible air movement. But in my mind I wouldn't consider anyone capturing it on film creating 'art' but shooting a small clip of 'documentary'. How well or badly it is shot dependant on the skills of the camera operator.
What this means is every example I've seen of 'video installations' (usually in the City Library and Arts Centre - Sunderland.... otherwise known as my head office) leave me totally cold. How long am I supposed to look at this? What is the point?? Can I switch channels and get a cartoon???
Going back to Scurra's point on "looking into what the artist was trying to do/say", my thought is that as 'art' it should be visible as it stands and as soon as you need to hear or read the explaination of the thoughts behind the origins of the piece thenn you're back in the realms of the heads of countries adopting naturism

That isn't to say that subtlety can't be hidden in things which can come up in discussion of a piece - but the piece should bee obvious as to what it IS.
I remember the story of the art critics passing judgement on the brilliant new artists who turned out to be a couple of elephants with a liking for sploshing colour
